Saturday, August 1, 2009
The Collector Offers Nothing In Originality
A Deadly Trip To Hawaii
Cliff and Cydney (Steve Zahn and Milla Jovovich) are an adventurous young couple celebrating their honeymoon by backpacking to one of the most beautiful, and remote, beaches in Hawaii. Hiking the wild, secluded trails, they believe they’ve found paradise. But when the pair comes across a group of frightened hikers discussing the horrifying murder of another newlywed couple on the islands, they begin to question whether they should turn back. Unsure whether to stay or flee, Cliff and Cydney join up with two other couples, and things begin to go terrifyingly wrong. Far from civilization or rescue, everyone begins to look like a threat and nobody knows whom to trust. Paradise becomes hell on earth as a brutal battle for survival begins in A Perfect Getaway.
Cliff is a talented new screenwriter, at least according to him, and the film plays with that a bit by embracing the mechanics of the well-crafted mystery script. (As one person says of the path they're on, "There are a lot of twists and turns ahead.") So, you want possible villains? Director David Twohy provides plenty to choose from. Could the murderers be those trashy hitchhikers Cliff and Cydney almost gave a lift to -- and who end up following them on the trail? Could they be the owners of that back-country supply store, who stared real hard when Cliff pulled out his bankroll? Maybe. More probable are Nick and Gina (Timothy Olyphant and Kiele Sanchez), a down-home couple who seem far too familiar with knives and crossbows and gutting animals, and tend to stare off into space when no one is looking. So who are the real killers? Your guess is as good as mine. Well, mine is probably a little better because I've seen so many of these movies, and I can never watch one without trying to solve it; it's a compulsion, like doing the daily crossword. And yes, I figured this one out, too, although not as prematurely as I solved the recent "Surveillance." But after I did, I felt as if Twohy hadn't quite played fair. I can't say how without giving the whole thing away, but let's just say that instead of doing things to deceive the other characters, the villains do some things to deceive the viewers. That said, Twohy, who also made the underrated "The Arrival" and the Vin Diesel-fueled "Pitch Black," has a feel for dialogue and some novel situations (although a slow and arty third-act flashback drags things down). He's got a feel for good actors, too.
Zahn has been a consistently entertaining personality for awhile now, whether it's in oddball comedies or peculiar performances on "The Tonight Show." He brings a nice, everyman quality to Cliff that wins our sympathies instantly. Jovovich is too perky and screechy as Cydney -- I wanted to chase her with a chainsaw myself after about five minutes -- but Sanchez is fine as the damaged Gina, and Olyphant gives a hugely charismatic performance as Nick. I don't know why the 41-year-old Olyphant isn't already a movie star. He's handsome and has a roguish charm; he had a long run on HBO's "Deadwood," but he's never quite connected in films the way he could. It's unlikely that A Perfect Getaway will make a very large difference. For his part, Zahn has a small and quirky following (and there are a few "Resident Evil" geeks who will watch Jovovich in anything), but that's not enough to break this film out of its sturdy genre niche. Which is fine. A Perfect Getaway provides some scares, some gross-out moments and a corkscrew plot; you can see it in theaters now, or catch it on DVD sometime next year and probably be moderately entertained either way. Just don't think too much about that final twist. This gets a mediocre 3 on my "Go See" scale.
A Nice Place To Getaway, But It's Not Perfect
Wednesday, July 29, 2009
He Wished That He Had all Of The Answers
The Answer Man is like a great big breath of fresh air on the first nice day of spring. It is a story with characters who feel real, as they try to find real answers to real problems. Yes, occasionally there is a brief moment that feels slightly sitcom-ish, but even those bits didn't spoil the fun for me, because somehow they felt in keeping with the weird, unpredictable, quirky nature of life. Writer/director John Hindman has managed to create a comedy/drama about faith in a chaotic world that manages to stay grounded rather than going over the top philosophically. The approach befits his idea that the true "answers" in life are not written on flashing neon signs; indeed, they are usually much more subtle. Jeff Daniels plays writer Arlen Faber who, twenty years ago, penned a massively influential book called "Me and God," in which he claimed the Lord spoke to him and provided him with answers to life's big questions. The impact of his work was so immense that it scared Arlen, and when we first meet him, he's a bitter, angry recluse who continues to hide from his own admirers. His editor (Nora Dunn) attempts to lure him out of hiding to help promote the 20th anniversary of his book, but he refuses to cooperate in any way.
Arlen's life is changed when he meets two people. The first is Elizabeth Danson (Lauren Graham), a single mother/chiropractor who just opened her own business and treats him for a back injury. Arlen, against all odds, is smitten with her. Elizabeth initially does not know who he is, but when she finds out, he is more than happy to play the role of sage, as he figures it will impress her. The other person is Kris (Lou Taylor Pucci), a young used bookstore owner who is just out of rehab and trying to save his shop while maintaining sobriety. Kris's father is also an alcoholic, which breeds a certain type of resentment he doesn't know how to deal with. After meeting Arlen in his store, Kris makes a deal that allows him to ask questions about Life, which the writer does his best to answer. Or, at least, he fudges it. The Answer Man doesn't have a lot of major "stuff" happening in it; instead, this is the kind of movie where the pleasure comes from watching the characters bounce off one another. Thankfully, these characters bounce in very interesting ways. Why is it that Arlen starts to tear down his walls for these two? With Kris, it has to do with some level of identification. He recognizes another lost soul. This is not to say that he always treats the guy well. Arlen fights his newfound sense of burgeoning compassion, for reasons that become clear near the film's end. Elizabeth manages to have a similar effect, but for different reasons. For the first time in a long time, Arlen discovers that he actually wants some sort of companionship. That he can directly shape her image of him - rather than her having preconceived notions of his "gift" - is enticing. In her own way, Elizabeth has a lot of questions too. She's pushing a healthy lifestyle on her young son that she herself does not lead, and she is unable to figure out how to tell him that his absentee father is never coming back. You get the sense that all these characters are trying to figure themselves out, and somehow understand that the others can help in that process, even when the ways that might happen are unclear. Arlen doesn't really pull the old softie switch that we might expect; he's a miserable S.O.B. for much of the picture, yet Elizabeth and Kris are as drawn to him as he is to them.
What I liked most about The Answer Man is that the characters do not learn big life lessons; instead, they learn small truths that have wide-ranging repercussions. Human emotional and spiritual growth seldom (if ever) comes in tidal waves, but rather in a series of small ripples. The movie knows that, and suggests that people often look directly to God for answers when, in truth, He gave us each other to funnel His answers through. It's interesting how Hindman has crafted such a religious movie that doesn't necessarily feel like one. There's no preaching and no proselytizing, just acute observation. Jeff Daniels is one of the great actors of our time, although he too rarely gets credit for it. His performance as Arlen is one of his finest. Daniels doesn't shy away from the ornery, mean side of the character, yet possesses enough inherent likeability that we side with him, even when he's being an ass. I think a lot of actors would have been tempted to over-dramatize Arlen's spiritual crisis. Daniels avoids that, giving us a more honest portrait of a guy who knows nothing, except for the fact that he knows nothing. The supporting actors are just as good. Lauren Graham specializes in capturing the domestic dramas of everyday women. She gives us an Elizabeth who is confident in what she wants for her kid, and less so in what she wants for herself. Lou Taylor Pucci is currently one of the "It" poster boys for independent film, and for good reason. He makes all of Kris' angst authentic without ever turning mopey or annoying. Olivia Thirlby and Kat Dennings also appear, playing Elizabeth's assistant and Kris' co-worker. Both make an impression in smaller roles, as does Tony Hale, who portrays one of Arlen's most fervent devotees. The Answer Man has moments that made me laugh out loud, moments that touched me, and things I identified with. There's a real charm to the picture, in that it locates great meaning in the little things: the ways people listen to each other, the tiny bits of healing that lead to more later on, the knowledge that love and friendship are powerful antidotes to sorrow and heartbreak. The Answer Man is an indie that may not get a very wide release. Be on the lookout for it, or remember the title for when it comes to DVD. A lot of movies - especially ones that deal with any kind of weighty subject - try to bludgeon you with profundity. It's nice to see a terrific little film that's confident enough to just give us simplicity and truth. This gets a 3 on my "Go See" scale.
He's The Man With The Answers To Life's Mysteries
Tuesday, July 28, 2009
The Little Band That Could
When gifted singer-songwriter Charlotte Banks (Aly Michalka) asks new kid in town Will Burton (Gaelan Connell) to manage her fledgling rock band, she appears to have just one goal in mind: go head-to-head against her egotistical musician ex-boyfriend, Ben(Scott Porter), at the biggest event of the year, a battle of the bands. Against all odds, their band develops a sound all its own with a real shot at success in the contest. Meanwhile, romance brews between Will and Sa5m(Vanessa Hudgens), who plays a mean guitar and has a voice to die for. When disaster strikes, it's time for the band to make a choice: Do they admit defeat, or face the music and stand up for what they believe in in Bandslam.A pleasant surprise on several levels, the film tells the story of Will (Connell), a geeky kid with an unpleasant life in Ohio. How unpleasant? He jumps up and down with delight when he finds out that his mother has a new job and they're moving to Lodi. Nothing against Lodi, mind you -- home of the Misfits and the Bada Bing. But when was the last time you saw a Hollywood movie in which someone was excited about moving to Jersey? As I said, "Bandslam" is a pleasant surprise. Not just for Garden State boosters, either. For one thing, the plot, in which Will helps the school's prettiest girl (Michalka) start a band while being simultaneously drawn to the school's quirkiest girl, Sa5m (Hudgens), is nicely skewed. Basically, it's the standard teen picture -- girl torn between bad boy and nice guy -- with a gender switch.) For another, the film itself is clean without being cloying. Authority figures aren't predictable simpletons (Will's mom, played by Lisa Kudrow, is funny, but not foolish), and the high school romances are limited to a few awkward kisses. There are no four-letter words, drugs or bathroom jokes. Perhaps that isn't such a shock; the movie is from Walden Media, a company that specializes in family fare like the "Narnia" series. Yet it's done so skillfully that even jaded teens may have too much fun to realize they're watching a PG movie. Admittedly, some of the film doesn't work. Parts could be funnier, or faster; a crucial dating mistake that Will makes seems more a product of the screenplay than his character.
But the movie gets a lot right. For starters, it cast real muscians (Connell and Michalka are both professioanlly involved with music), rather than actors who'd look foolish bursting into song. And that cast is effective. Connell is sympathetic as the geeky Will; Michalka is dangerously pretty as the school's Queen Bee. And the overexposed Hudgens is pleasant in a change-of-pace emo-girl role. But the most valuable player in Bandslam is Kudrow. Playing Will's concerned, overprotective, but still good-humored mother, she brightens up every scene. She's the definition of a great supporting actor. Bandslam is hardly the definition of a great movie, but it is pleasant and bright and doesn't insult its audience's intelligence. And that's as rare and welcome as a well-crafted three-minute pop song. This isn't just for the teens. I'm sure grownups will find something to cheer about in this movie as well. Very well put together musical dramedy. This gets a 3 on my "Go See" scale.
